Book Two Progress as of March 5

Progress of THE TWO
First Draft: Complete (126,180 words)
My revisions: In progress (88% complete)
Professional editing: Not started
Formatting: Not started
Cover art: Not started

Friday is writing day. I’ll be home alone and I’ll do nothing else. Okay, maybe eat lunch and toss in a few loads of laundry. By the end of Friday I just *might* reach the end of this draft…

Deleted Scene: Prologue of THE ALIGNMENT

I wrote a prologue for THE ALIGNMENT at some point during my years of querying. It gave a tense opening to the book I hoped would be a better hook. It also introduced Trey from an outsider’s perspective, which I liked, because it set you up with a bit of warning about the guy.

I cut it before the book went to my editor for several reasons:

– it opened the book too much like a thriller (which it isn’t)
– it added another first person point of view (two are enough, three might be confusing)
– it cut Liv from being the first character you meet (she needs to be first)
– nobody likes prologues (get to the story already!)

I still like it though, for that glimpse of Trey through someone’s eyes other than his own and Liv’s. Because we all know they’re both a bit biased. :)

Fun facts: The mess Trey sees in his kitchen in chapter two and cleans up in chapter four is a result of this scene. The gash he gets above his eye in this scene is the one Liv fixes for him when they meet at the clinic in chapter two. (She thinks it’s from the car crash. He knows it’s not.)

Here it is. It’s raw and unedited, so please don’t yell if you find some mistakes. If you haven’t yet read THE ALIGNMENT, what are you waiting for? Buy it!

* * * * *

Prologue of THE ALIGNMENT

(unedited deleted scene)

As soon as he steps down from his truck, I know today is the day. Yesterday was wrong, and I’m glad I waited. The dirt covering him from head to toe tells of a long day of physical labor. The slump of his shoulders proves it. The brown paper bag doing little to mask the bottle of alcohol he grips by the neck makes me chuckle out loud. Fatigue and alcohol. Today is my lucky day.

He plods into the house, and I move to the backyard to gain a better view. I need that alcohol in his system before I make my move. The more the better. From behind the house, I see the kitchen light blink on. It’s a beacon from his wide-open window, calling me in. We know he’s bold, but I refuse to acknowledge his careless indifference. He must fear us. He has to.

The first glass goes down quickly. To my satisfaction, he fills it again. He’s slower to consume the second glass, but I can be patient. All who came before me must have been missing this key ingredient. Patience. And they are all dead because of it.

The moon rises above the mountains while I wait, reducing my cover of darkness. When every light in the house has been off for a while, I move in. The howl of a nearby wolf cuts the air. I pause. It takes a long time for the stillness to return, but once it does, I continue my approach. The sliding glass door is unlocked. Without a need to pick a lock, this feels like cheating. My fingers graze my gun, but I remember we were taught not to rely on weapons. The old wooden floor in the kitchen remains silent under my careful tread. My eyes dart to a sliver of moonlight reflecting off the blade of a large knife on the counter. I could use his own knife on him. What a story that would be when I return. But it won’t be better than my reward.

The handle of the knife slides into my hand. A shadow crosses my peripheral vision, and I eat the floor without warning. Blood seeps into my mouth. I leap up and twist. He comes at me again. The knife catches him above his eye, but then it’s out of my hand and I’m on the floor again. My head pounds. I don’t even know where I’ve been hit. I roll under the table as it’s thrown sideways. Pulses of pain jar my body with such rapid precision all I can do is curl and protect my head.

My ribs collapse. Shallow breaths aren’t enough, and I swing my elbow into the open air that suddenly surrounds me. I recognize the break in his offense and move, grabbing the handle of a drawer to pull myself upward. Knives scatter at my feet, and I raise my head, swallowing my surprise at the large, calm space between us. We make eye contact in the dim room. He’s big, but not as big as I imagined. With the number he’s killed, you’d think he was a mammoth.

I blink away the clouds rolling into my vision. Light angling through the window settles on his face, reflecting off the dark stream of blood running from the cut above his eye. Other than that, he doesn’t have a scratch on him. Yet I’m working off one lung and struggling to remain standing. He takes a step backward and cocks his head, studying me like the exhausted parent of a mischievous child.

Something sinister drives this guy. Something unbeatable. We are sent as sacrifices, simply to shake him up. Nothing more. With all the training I’ve had, I still walked into this blind. Blind and stupid. Is he really their enemy, or is he one of them? I may not make it back with what they want, but I can make it back alive. And I know he’s not going to let me go without a fight.

My hand goes for my gun, but it’s missing. I snatch the closest knife from the floor and swing my leg at his ankles. He dodges, but it’s enough to open his side to me. I blast upward and jab the knife toward his kidney. The snap of my wrist then my elbow buckle my knees. His arm wraps around my shoulders from behind. His free hand grips my head at the temple. He grumbles something under his breath. When my first vertebra breaks, I know his words are the last I have failed to hear.

Tangible

Two months have passed yet I’m still not over it: four years of mental grind has taken tangible form. This box arrived last November.

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Opening this box is my favorite part of the publishing process and must be one of the most rewarding moments of being a writer.

It’s like being handed your newborn baby for the first time. The car keys to your dream car. A college diploma. The hard work to achieve this prize is over. You’ve dusted off your hands and opened a new door. And there’s a sprawl of endless possibilities right at your feet.

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Author Interview on Indie Author Land

Head over to Indie Author Land for my author interview that went live today.

Indie-Author-LandAnd while you’re there, be sure to check out their other interviews and the page of free and discounted books. You might find something you like!

Now here’s an update on book two for the mob outside my house carrying torches and chanting something about book one? And cliffhangers? And something involving a pair of pliers and my fingernails?

Sunday night I started working at 9:30 PM and worked for four hours straight. When I checked the clock at midnight, I decided I needed to wrap it up (my alarm clock goes off at an agonizing 5:55 AM). I took a “few” minutes “wrapping it up” that ended up being a full hour and a half. (What?! LOL)

But! The great news is I got 25 pages farther! All worth it! :)

I was able to do a bit more since then, bringing my book two progress to…

Progress of THE TWO
First Draft: Complete (126,180 words)
My revisions: In progress (33.8% complete)
Professional editing: Not started
Formatting: Not started
Cover art: Not started

Book Two Progress as of January 4

Progress of THE TWO
First Draft: Complete (126,180 words)
My revisions: In progress (26% complete)
Professional editing: Not started
Formatting: Not started
Cover art: Not started

It’s still planned for release in the summer of this year.

The free Kindle promotion of THE ALIGNMENT ends today, so if you haven’t grabbed a copy already there’s still time.

THE ALIGNMENT has made it to #15 in the Top 100 Free of the Kindle eBooks > Romance > Fantasy category and #635 Free in Kindle Store. What a thrill!

I plan to do another paperback giveaway on Goodreads soon. Sign up with your email address in the sidebar if you want notification when the Goodreads giveaway begins.

And to all the awesome people who purchased THE ALIGNMENT on Amazon this week, happy reading! I hope you enjoy it!

Countdown to Publication

THE ALIGNMENT, Book One in my series, will release this month. Cover art and formatting are complete. A paperback proof is expected to arrive on Friday. If it passes final inspection, I configure the Kindle version and push the PUBLISH button.

This has been a four-year journey that included countless revisions and a trek through the purgatory of querying the traditional machine. But all that time, and the rejections, have strengthened my writing and my final product. I truly believe this book is better as a result of me going indie and keeping control over my work. I hope readers will agree.

I’ve updated my Fiction page with details about THE ALIGNMENT and the other books in the series. As soon as I push that PUBLISH button, I go straight to work on Book Two.

Look for an announcement about THE ALIGNMENT soon!

36 Story Types

A fascinating list of the 36 types of stories according to French Writer Georges Polti, posted on Futility Closet:

In 1916, after extensive study, French writer Georges Polti announced that all the stories in classical and modern literature could be reduced to 36 essential situations:

1. Supplication. The Persecutor accuses the Suppliant of wrongdoing, and the Power makes a judgment against the Suppliant.
2. Deliverance. The Unfortunate has caused a conflict, and the Threatener is to carry out justice, but the Rescuer saves the Unfortunate.
3. Crime pursued by vengeance. The Criminal commits a crime that will not see justice, so the Avenger seeks justice by punishing the Criminal.
4. Vengeance taken for kin upon kin. Two entities, the Guilty and the Avenging Kinsmen, are put into conflict over wrongdoing to the Victim, who is allied to both.

…more

Brains Love Strong Metaphors

Understanding brain science can make you a better writer.

I found this article about scientists studying the effect of fiction on the brain. Here’s a clip of something intriguing—and proof of that “avoid cliches” writing advice.

The way the brain handles metaphors has also received extensive study; some scientists have contended that figures of speech like “a rough day” are so familiar that they are treated simply as words and no more. Last month, however, a team of researchers from Emory University reported in Brain & Language that when subjects in their laboratory read a metaphor involving texture, the sensory cortex, responsible for perceiving texture through touch, became active. Metaphors like “The singer had a velvet voice” and “He had leathery hands” roused the sensory cortex, while phrases matched for meaning, like “The singer had a pleasing voice” and “He had strong hands,” did not.

Read the rest: Your Brain on Fiction

I’m Still Here

…just keeping busy in Editing Hell.

I have one word and one phrase I’ve been caught overusing. Once I finish searching for those and cutting or rewriting, I’ll have myself a FINAL DRAFT.

Then I just have a few files of notes to go through, to make sure I’ve done everything I meant to do before this thing can be sent off for formatting and cover art.

Here’s a great New York Times article I found through The Passive Voice. It was published in 2001 but it has some of the most straightforward writing advice I’ve found. Here’s the best part:

If it sounds like writing, I rewrite it.

Or, if proper usage gets in the way, it may have to go. I can’t allow what we learned in English composition to disrupt the sound and rhythm of the narrative. It’s my attempt to remain invisible, not distract the reader from the story with obvious writing. (Joseph Conrad said something about words getting in the way of what you want to say.)

–Elmore Leonard, WRITERS ON WRITING

But you should really read the whole article.

Here’s a great quote from Hugh Howey, author of WOOL, in an interview on A Newbie’s Guide to Publishing:

As for the 99.9% who won’t see my level of success, I would point out that 99.9% of those who submit material to the traditional machine will never see a similar level of success. It isn’t like our option is to self-publish OR see how well our novel does fronted out on an endcap in a bookstore. Our options are to self-publish OR spend a few years landing an agent, another year selling the book to a publisher, a year waiting for that book to come out, and then three months spine-out on dwindling bookshelves before you are out of print and nobody cares about you anymore. If you’re lucky. Most likely, you’ll never even get an agent. Because you aren’t Snooki.

–Hugh Howey

And one more, but I can’t remember where I found it:

“Listen, Hank,” he asked, “what makes a man a writer?” “Well,” I said, “It’s simple, it’s either you get it down on paper or you jump off a bridge.”

–Charles Bukowski