Recommended Indie Reads: Intercontinental Moves, Interdimensional Travel

I got tagged again with the Four Q&As about my WIP blog hop, so instead of repeat the same questions and answers, I’m going to promote two great indie writers.


Rosemary Whittaker is a British born author. She is an English teacher by profession. Since leaving university she has lived and worked in the United States, New Zealand, Australia and twice in Denmark. Her husband works in biodiversity informatics (cataloging all living species on earth) and this has entailed many moves. They have five children so the moves have been extra challenging.
Her real love has always been writing and she has written several novels, variously set in the countries in which she has lived. She also writes for children. All her novels are available on Amazon and

Her recent novels, a set of four, all take the theme of British women who move, by choice or circumstance, to one of the four countries mentioned above. THE CINNAMON SNAIL is set in Denmark, where Rosemary currently lives.

The Copenhagen Post Publisher’s Corner: Review of ‘The Cinnamon Snail’

Rosemary’s Website | Rosemary’s Books on Amazon


Jason Gurley is a writer I recently found. His book ELEANOR was released on June 27, but I received an early copy from his website.

I’m about 80% through ELEANOR, and devouring it. It’s a lovingly crafted book, a story I can recommend wholeheartedly even though I haven’t finished it. It’s a perfect example of why I love indie fiction, and why I’m so glad this book never found a traditional publisher. ELEANOR hasn’t been forced into any mold. It’s a story that takes its time to build, to immerse you, to wiggle in deeply so you can’t shake it off.

If you like magical realism, and exploring the barrier between life and the afterlife, you might want to check this one out.

Jason’s Website | Jason’s Books on Amazon

Recommended Reads: THE BRIDGE by Rebecca Rogers Maher

I’m not sure where I heard about Rebecca Rogers Maher‘s books, but whatever it was sold me for an instant read even though I have dozens of books waiting for me on my Kindle. I started with THE BRIDGE. Probably the best book I’ve read this year. I’m 50% into TANYA, the followup which was just published last month. TANYA’s plot is milder, but the romance is much more spicy, which I’m usually not into (graphic sex scenes bore me into a coma, go figure). But! The writing is so flippin’ good—that spice mixes with sweet and beautiful and it’s impossible not to savor every word. If all writers infused such compelling emotion into a sex scene I’d be signing up every time.
While reading THE BRIDGE, I was confronted with the idea that the best relationships, the most fulfilling ones, are based on complete honesty. You could meet a person who’s your polar opposite, but if there are no games and no masks and no pretending, no small-talk pleasantries to keep a polite distance, no egos to stroke, no images to uphold, if the playing field is level and you’re both standing in the mud, then the only way to connect is on a simple human level. Which works every time. Unless you’re like, Hannibal Lecter or something.

But honesty, as a foundation, just might be all we need. Everything else–respect, sympathy, love, can grow from it.

THE BRIDGE is the type of love story I’m on a never-ending quest to find. I’ve added all of Rebecca’s books to my TBR list and I think I’m pushing them to the top.

THE BRIDGE by Rebecca Rogers Maher
Amazon | Goodreads | Rebecca Rogers Maher’s website

Recommended Reads: SONG OF SCARABAEUS by Sara Creasy

It’s really hard to find the blend I like in fiction: just enough action, just enough sci-fi/fantasy, just enough of a love story.

SONG OF SCARABAEUS is one of the few novels I’ve found with that perfect blend. Toss in a captivating plot, great characterization, realistic dialogue, and several fresh story ideas that I wake up in the morning pondering, and I’m disappointed I can’t erase my memory of this book just so I can read it again. Maybe slower this time, so it can sink in more.

One of my favorite elements was the masterful male/female interaction. One example–the hero’s trigger finger is a bit eager even though the gunshots seem to do nothing to scare off a threat. The heroine says, “Save the bullets, Finn. There are hundreds of tons of biomass up there. Clearly it doesn’t want to have a hole carved through it.”

And at the end of Chapter 28? I actually put down the book and said aloud, “Oh my god. Awesome.”

I can’t wait to read the sequel.

Amazon | Goodreads | Sara Creasy’s website